Composer Elodie Lauten 50th Year Retrospective
  The Death of Don Juan - an opera of consciousness
   
  Featuring the Trine, a custom-made electro-acoustic lyre
   
  
   
  "Elegiac melodies...pungent and intriguing."
  
--  The New York Times
     
  
  "A composer of enchanting music, one of New York's most 
    individual voices 
    of the present generation."
  
   
--   The Village Voice
     
  
  "A force on the new music scene."
  
   
--   Fanfare
  
     
 
  Saturday October 21, 2000 at 8 PM
  Music Under Construction
  10 East 18th St. 3rd Floor (between Broadway and 
    Fifth)
  Concert and reception
  Admission: $20
  Reservations/Information: 212-388-0202
  
  
  cybercast @ www.theconstruc
tioncompany.com
  
  (concert to be cast in real time on the Internet at this site)
  Celebrating composer Elodie Lauten's 50th anniversary, Music Under 
Construction 
    presents a multimedia performance of Lauten's groundbreaking work of the 
1980's, 
    The Death of Don Juan, which received a National Endowment for the 
    Arts award in 1985 and a Massachusetts Council for the Arts award in 1987 
    for the premiere at the Institute of Contemporary Art in Boston. The 
original 
    recording released on Cat Collectors in 1985 will be enhanced by live 
improvisations 
    by the composer on the Trine, her custom-made electro-acoustic lyre, and 
projection 
    of video work created in 1990 by the composer during residencies at Film 
Video 
    Arts and the Experimental Television Center. 
  
  Synopsis
 
  
  The Death of Don Juan is about the 
    myth rather than the story of Don Juan. In this work, he is an archetype, 
    a symbol of human desire for freedom and transcendence. The setting is a 
screen 
    reflecting Don Juan's terminal experience as it unfolds in real time, as 
an 
    apocalyptic replay of his past life as it comes back to him. Death 
appears 
    to him in a vision in the form of a woman who speaks in tongues and whose 
    multiples voices are those of the women he seduced. This confrontation 
with 
    the female entity is a role reversal for Don Juan. The power is held by 
the 
    opposite sex this time around. But he is at once seduced by the Death as 
a 
    Woman and therefore unable to win his ultimate battle. Instead he begins 
to 
    realize how barren he has made his life. His mind struggles with 
self-destruction 
    and insanity. Only then is he able to understand the need for love, 
compassion, 
    purity and sincerity, all of which he once found trivial. This awakening 
is 
    his salvation. There is no hell for this Don Juan: he is able to forgive 
himself 
    and be forgiven.
   
  Composer Biographical Summary
  
  Recently, Elodie Lauten's solo piano work Variations on the Orange Cycle 
    (Lovely Music) was recently included in Chamber Music America's list of 100 
    best works of the 20th century. 
  Born and raised in Paris, Elodie Lauten studied classical piano and was initiated 
    to jazz by her father jazz pianist/ drummer/ composer Errol Parker. At age 22, 
    she was chosen to compose and perform the music for an experimental play by 
    Dashiell Hedayat at the Paris Museum of Modern Art. Shortly after, in New 
    York, she found a mentor in Allen Ginsberg who encouraged her to compose and 
    introduced her to Buddhism. She moved to New York permanently in 1976 and 
    became an American citizen in 1984. In the early 80s she started producing 
    her own music and released 4 albums between 1981 and 1984. In 1983, following 
    the release of Piano Works, the Dance Theater Workshop presented her compositions 
    and her music became a regular feature of the New Sounds program on WNYC. 
    She has received commissions from Lincoln Center, the Elinor Coleman Dance 
    Company, the Soho Baroque Opera, the Queen's Chamber Band, The Lark Ascending 
    and the Bozeman Symphony Society -- to name a few. Her work has been presented 
    by the Whitney Museum, The Kitchen, the Performing Garage, La Mama, the New 
    Music America Festival, the American Festival of Microtonal Music. In 1993 
    she moved to New Mexico, spending two years devoted exclusively to composing. 
    During the late 90s a number of CDs featuring her varied output appeared on 
    various labels: Tronik Involutions (O.O. Discs), Variations on the Orange 
    Cycle (Lovely Music), Music for the Trine (Nonsequitur) and Inscapes from 
    Exile (New Tone). The Deus Ex Machina Cycle, music for voices and Baroque 
    ensemble (4Tay) is her latest release (1999). Elodie Lauten has a Master's 
    in composition from New York University.
  For further information on the Elodie Lauten 50th Year Retrospective or for 
    copies of the 50th Year Retrospective CD please email ElodiL010@aol.com or 
    call 212-388-0202.